Leonardo da vinci : the codex leicestergeneral informationA scarcely faded handwriting, woven of letters and figures that sometimes suggests hieroglyphics; an enigmatic texture that can be deciphered only with the help of a mirror; a science ushering in a new epoch, yet composed in an italian belonging to the waning middle ages; celestial secrets and worldly riddles, suffused with the idiom of tuscan farmers: the museum der dinge welcomes the new millennium with a scintillating treasure from the last one. it presents, protected under a soft twilight, the codex leicester of leonardo da vinci.
The manuscript is one of the most important written by leonardo to have been preserved. on 18 folio sheets, folded into 72 pages and covered in tightly composed mirror-handwriting and illustrated with many drawings, leonardo recorded haphazardly between 1506 and 1510 a wealth of observations of nature, technical sketches, inventions, speculations and thought experiments. they portray the body of the earth as a living organism; the main topic is the nature of water. leonardo carried the sheets with him in a notebook bound in leather. we can watch as leonardo ponders over light and shadow, ebb and flow, the light of the moon, primeval and apocalyptic phenomena.
Leonardo's manuscript is like an outwardly expanding circle of waves, created by a virtually tireless matrix: an unrelenting drive to transform, translating institutions, ideas, and visions into texts, prophecies, drawings, technical designs and apocalyptic nightmares, whereby all these spheres converge and commingle; the sciences and arts reciprocally infuse, fertilize, unsettle each another.
Here drawings and words exchange their functions: the drawings explain contexts and connections, the texts overflow with poetic images. we experience how leonardo delves into the depths of the universe - and when we lean forward to within centimeters of the manuscript, we discover in the middle of this universe a minute hole that the artist-engineer punched into the paper with the tip of a drafting compass five hundred years ago.
The short passages by leonardo are here presented as individual pages. each page is headed by a question. an answer, in the spirit of leonardo, then follows. in many places a moving drawing illustrates what is described. finally the excerpt from leonardo and its textual provenance are provided.
The extensive material is organized into separate thematic units that can be accessed by means of interconnected pathways. a guiding question precedes each pathway.
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